BROADCAST
I've worked in broadcast in London, Sydney and now around the Bristol & Bath area. My edits have aired on the BBC, MTV, Sky and Motors TV to name a few.
I cut and finished picture and audio on all the spots here.
I have been the series editor for the UIPM Modern Pentathlon since 2017. This comprises 4 half hour highlights shows and 2 hour long shows each season broadcast worldwide including Sky, CCTV5 and OSN.
This is part 1 of a one hour highlights show covering the World Championships in Egypt .
I've edited several of Hans Rey's cycling adventures, usually commercial half hour documentaries which have aired around the world.
This is the opening of a piece about the Bloodhound land speed record attempt. I also created the title sequence for the spot that aired as part of 'Racemax' on Sky, Motors TV and TVNZ.
This is the no breaks version of a one hour highlights show for the 2017 event in Thailand. It was shown on Sky and across Asia via Fox Asia.
'London Cup' is part one of an eight-part commercial two-hour show aired on Sky F1. I produced the shoot at the event and was responsible for the entire post production.
I enjoy the variety and intensity of short form work. These were created variously in Avid, Premiere and After Effect, broadcast globally and in Cinemas.
commercials &
ON AIR PROMOS
title SEQUENCES
I have created many title sequences and really enjoy the creative challenge.
I worked on 'The Club' titles and bumpers as a purely off-line editor. All the other spots here I have edited and finished using a combination of Avid, After Effects and Photoshop.
These have aired on ITV, Sky, Motors TV and TVNZ to name a few.
I have worked on several shorts and most recently my own web series Glass Wall.
I love cutting dialogue, story and action and aspire to do more.
Glass Wall is an 8 episode series that I wrote, produced and directed as well as all the post production. I hired cast and crew and shot it in my house over a week. Episode 1 is linked here and the other episodes are also on Vimeo.
'Pat' was shot on 35mm by Director Brian Moore at Level Headed Films. I off-lined and was involved in the neg cut and post. It had a limited cinematic release.
shorts &
SERIES
+44 (0) 7776-233606
Video Editor
Avid // Premiere // After Effects
Available for freelance and contract jobs
REC